Curated by KJ Abudu, Traces of Ecstasy is an architectural pavilion, art exhibition, and symposium that premiered at the 2024 Lagos Biennial. Guided by the biennial's overarching theme of refuge, the curatorial project critically responds to the charged historical residues of Tafawa Balewa Square, taking its constitutive role in postcolonial nation-building as a point of departure. Traces of Ecstasy aims to unsettle the colonial capitalist power structures that maintain and reproduce the ideological legitimacy of the nation-state in post/neocolonial Africa and the wider world.

Welcoming Remi Kuforiji, an architect, spatial practitioner, and researcher, to our G.A.S. Lagos residency. A graduate of the Royal College of Art, Remi's work delves into the nuanced intersections of race politics, mapping, and performance. His project, Water No Get Enemy: Counter-Cartographies Of Diaspora, redefines Nigerian masquerade as a critical tool in cartography, challenging the neo-colonial exploitation of the Niger Delta's resources. During his residency, Remi aims to conduct first-person research on Lagosian masquerades, exploring their impact in contrast to resource extraction in Lagos.

RCA BLK and Yinka Shonibare Foundation (UK) today announce their partnership on a new artist residency programme in Lagos, Nigeria. Together, the organisations will host two residencies in spring 2024, in collaboration with Guest Artists Space Foundation (G.A.S) in Nigeria; one for an exceptional early/mid-career artist who is an RCA BLK member; and one for a research-based proposal from the wider RCA BLK community.

The Yinka Shonibare Foundation, Guest Artists Space Foundation, and British Council collaborated to create a cultural nexus by hosting a group of visual art curators in Lagos during the 4th edition of the Lagos Biennial. Joined by G.A.S. friends, Biennial VIPs and our patrons, the group participated in an immersive programme that took place between the 2nd and 7th of February and included participation in the official programme of the Lagos Biennial alongside in-depth tours of local institutions, artist studios, collections and galleries.

RCA BLK  aims to promote, improve and advance education by encouraging and supporting the practice of contemporary visual artists who identify as Black within the RCA’s wider community. They do so by fostering relationships with pre-enrolled students, current students as well as alumni. RCA BLK makes its impact on students' experience from the African diaspora and builds upon the rich legacies of the RCA student body.