To conclude her residency at G.A.S. curator Miriam Bettin hosted the first exhibition at the G.A.S. Farm House in Ikise, designed by Papa Omotayo. The show brought together artists and designers whose work with textiles emphasises the fluid, transformative, anti-colonial, emancipatory, and queer-feminist qualities of the medium. The artists shared a dedication to tradition and at times nostalgia that is being reimagined in the context of contemporary discourses and aesthetics.

Artefacts (Re)connecting … Can you sense them? is an exhibition coordinated by Sarafadeen Bello to conclude his residency at G.A.S. Lagos. The mixed media Installation is a visual summary of the experiences and work created by Bello during this period. It questions the state of our archives, the assumed neutrality of the digital, as well as the impacts of 'digital restitution' on the ongoing process of restitution as a whole. Through the work, he interrogates notions around who these digital replicas belong to, who they are relevant for, and what it means more broadly in terms of access.

Guest Artists Space Foundation is recruiting a full-time Communications Assistant. The purpose of the role is to provide key communications and administrative support to Guest Artists Space (G.A.S.) Foundation, Lagos. The successful candidate will be responsible for managing the production of digital content and delivering our digital and social media strategy under the direction of the Residency and Projects Coordinator and the Y.S.F. Communications and Projects Manager in London.

Apocalypse Pantry, is a collaborative project between Mariam Hava Aslam, Tushar Hathiramani and hFACTOR. It is a speculation where perishable crops are made into chutneys and pickles as one way of addressing the precarity of food insecurity. Displayed on an adapted Mai Ruwa cart, it suggests an urban network of food growing and distribution in Lagos.