We are thrilled to announce Moni Aisida as the incoming Executive Director of the G.A.S. Foundation. With an impressive background spanning over 8 years in the art industry, Moni brings a wealth of experience to our organization.

Moni's professional journey has been characterized by diverse experiences across various sectors including healthcare and fin-tech. Her multifaceted expertise uniquely positions her to drive innovation and growth within the art community. Notably, Moni has been pivotal in cultivating partnerships and facilitating capacity-building initiatives, particularly in her dedicated efforts to support emerging artists. Her unwavering commitment to empowering creatives and fostering collaboration aligns seamlessly with the values and mission of the G.A.S. Foundation.

Following an exciting announcement on her new gallery representation by Regen Projects, Glasgow-based G.A.S. Alumnus and celebrated multidisciplinary artist, Alberta Whittle will debut her first exhibition with the gallery on March 16, 2024. This comes following the conclusion of her residency at G.A.S. Foundation, alongside Elsa James and TK Smith. The work in this exhibition revisits her travels in Nigeria, some having begun while in residence at G.A.S. Lagos. Entitled 'Learning a New Punctuation for Hope in Times of Disaster', Alberta’s exhibition at Regen Projects exemplifies the artist’s interdisciplinary approach to cultivating community and care as an antidote to catastrophes, from ecological collapse to the legacy of anti-Blackness. The exhibition presents Lagareh – The Last Born, 2022 for the first time in North America beside a suite of new paintings and sculptural works. Blending tender portraiture with more abstract passages and symbols, Alberta’s paintings reflect her own lived and embodied experience and desire to cultivate moments of rest, reflection, and kinship with and for others.

In May 2023 Yinka Shonibare Foundation and Guest Artists Space Foundation announced a new collaborative open call with Tilga Art Fund, a philanthropic initiative launched by our residency Patron, Wally Bakare, to foster criticality, broaden artistic practice and engage new and exciting modes of art-making among young contemporary African artists. The 2023 edition of the prize was targeted at young artists across all creative disciplines working and living in Uganda, or of Ugandan descent. 

Curated by KJ Abudu, Traces of Ecstasy is an architectural pavilion, art exhibition, and symposium that premiered at the 2024 Lagos Biennial. Guided by the biennial's overarching theme of refuge, the curatorial project critically responds to the charged historical residues of Tafawa Balewa Square, taking its constitutive role in postcolonial nation-building as a point of departure. Traces of Ecstasy aims to unsettle the colonial capitalist power structures that maintain and reproduce the ideological legitimacy of the nation-state in post/neocolonial Africa and the wider world.

Welcoming Remi Kuforiji, an architect, spatial practitioner, and researcher, to our G.A.S. Lagos residency. A graduate of the Royal College of Art, Remi's work delves into the nuanced intersections of race politics, mapping, and performance. His project, Water No Get Enemy: Counter-Cartographies Of Diaspora, redefines Nigerian masquerade as a critical tool in cartography, challenging the neo-colonial exploitation of the Niger Delta's resources. During his residency, Remi aims to conduct first-person research on Lagosian masquerades, exploring their impact in contrast to resource extraction in Lagos.