Helsinki-based visual artist Sasha Huber, whose research-driven, multidisciplinary practice explores the politics of memory, care, and belonging in relation to colonial histories, concluded a four-week residency at G.A.S. Lagos in 2025. During her time at G.A.S., Sasha focused on developing a commemorative portrait of pioneering curator Bisi Silva, whom she first met in the early 2000s during a residency in Helsinki and remained in contact with until Silva’s passing. Central to this project was an intention to honour Bisi Silva’s influence on artistic and curatorial practice across the African continent. The portrait forms part of Saha’s ongoing The Firsts series, which comprises commemorative portraits paying homage to pioneering ancestral figures, with a particular focus on women from the African diaspora in Europe.

A two-day convening in Lagos to explore “African and Afro-diasporic art archives as living, contested, and future-shaping spaces,” the Re:assemblages Symposium became a gathering point of ideas and geographies. Jointly presented by Guest Artists Space (G.A.S.) Foundation and Yinka Shonibare Foundation (Y.S.F.) in early November, the symposium moved its participants towards other ways of seeing, remembering, and keeping that dismantle hierarchies between human and non-human, while laboring against historical amnesia. The occasion also launched the C& Cyclopedia station partnership in the new Reading Room at the G.A.S. Library and Picton Archive.

G.A.S. Foundation is pleased to welcome Fiyin Koko, our first resident of 2026. A multidisciplinary artist working across painting, sculpture, photography, printmaking, installation, and moving image, Fiyin’s practice is grounded in womanism, memory, play, and embodied experience. Through her work, she explores how personal and collective stories, particularly those centered on women, are formed, remembered, and transformed over time. Known for her signature use of blue and elements of artivism, Fiyin creates visual narratives that engage both personal and communal experiences. 

Earlier this week, we welcomed Ryan Tenney, an interdisciplinary artist and agroecological practitioner based in the U.S., for a ten-week residency at the G.A.S. Farm House. Working across painting, installation, digital media, and ecological research, Ryan’s practice sits at the intersection of art, agriculture, technology, and Traditional Ecological Knowledge. His work investigates how creative and agrarian practices can operate as tools for liberation, collective care, and the imagining of alternative futures.

On November 28, 2025, G.A.S. Lagos hosted Our Key Images, a printmaking workshop led by artist and educator Daniel Minter. The session introduced participants to Daniel’s approach to relief block carving and the use of personal symbols as foundational elements within his assemblage practice.