Join us at G.A.S. Lagos on December 9th, 2025, for Art CRIT, an informal critique session facilitated by current resident Sola Olulode. Designed for artists working across various mediums who have felt underserved by traditional critique spaces, the session offers a supportive environment to share practice, exchange ideas, and receive constructive feedback. Sola recognises that many artists may have had limited opportunities for meaningful critique or may have experienced spaces where feedback feels rigid or discouraging. Art Crit at G.A.S. reframes this experience, centring openness, dialogue, and mutual respect.

This December, we are thrilled to host our final resident of the year, Swiss-Haitian multidisciplinary artist Sasha Huber, as she undertakes a four-week residency at G.A.S. Lagos.  Based in Helsinki and internationally recognised for her research-driven practice, Huber works across performance, video, photography, and collaborative intervention to explore the politics of memory, care, and belonging in relation to colonial histories. Central to her practice is the staple gun—a tool she reclaims from its violent associations to propose possibilities for repair, symbolically stitching together wounds and challenging contested narratives. Working with archival materials and layered processes, she creates reparative gestures that connect past and present. Huber is also widely known for her contribution to the Demounting Louis Agassiz campaign, which seeks to critically reassess the glaciologist’s racist legacy.

Join us at G.A.S. Lagos on November 4th, 2025 for Body Memory, a meditative, movement-based workshop exploring how the body carries personal and collective memory. Led by current resident Khaleb Brooks, the session offers an opportunity to acknowledge our histories and consider how future generations might engage with the past. It asks: Who gets to memorialise, and who is excluded? What do we hide from ourselves, and what unprocessed memories rest quietly in our bodies?

G.A.S. Foundation is pleased to announce that Khaleb Brooks, a multidisciplinary artist and researcher working across painting, sculpture, film, and performance, will undertake a five-week residency at G.A.S. Lagos. Based in Brazil, Khaleb's practice investigates the intersections of collective memory, the body, and the afterlives of the Transatlantic Slave Trade. Rooted in decolonial and archival methodologies, their work engages history as a living, embodied site, one that continues to shape identities, landscapes, and communities across the diaspora.

The fourth edition of the Lagos Art Week programme brought together global and continent-based cultural leaders in a new iteration that integrated the first ever Re:assemblages Symposium, presented with Guest Artists Space Foundation alongside the tour’s established programme of curated art and cultural visits. Running from 4-5 November, the symposium marked a new institutional pillar within the week, complementing the traditional art tour from 6-9 November, which delivered gallery, museum, residency, and studio engagements, including VIP access to Art X Lagos and signature Foundation-hosted events. This inaugural integration expanded the tour’s scope while retaining its core model of patron access and arts ecosystem highlights.