To conclude his six-week residency, Misheck Masamvu invited guests to his studio at the G.A.S. Farm House in Ijebu, where he spent most of his time developing a new body of work for his upcoming solo exhibition amidst the rich agricultural landscape. During this intimate gathering, Misheck presented a walkthrough of the works on canvas he developed throughout his residency, sharing insights into his creative process.

As we eagerly anticipate the start of Lagos Art Week at the end of October, we are thrilled to announce the arrival of Theophilus Imani, who will join us at G.A.S. Lagos until November 8, 2024. Theo’s residency sits within the framework of the Annotations Programme. A visual researcher based in Verona, Italy, Theo’s practice primarily focuses on the representation of the Black body within diasporic visual culture, particularly in the Italian context. 

G.A.S. Foundation is excited to introduce our second resident to join us this art season, Liz Kobusinge, a Ugandan researcher and multidisciplinary artist embarking on an immersive four-week residency in Lagos as part of the Annotations Programme - a six-month project that explores major African cultural festivals and their dual nature as historic events and repositories of postcolonial pan-African encounters.

This autumn, G.A.S. Foundation celebrates four alumni making strides in exhibitions and project debuts that highlight the influence of their residencies in Lagos. Tobi Onabolu's evocative video collage Ojú-Inu premieres in London, blending live action and soundscape to explore media's impact on consciousness. Karl Ohiri and Riikka Kassinen’s Abi Morocco Photos: Spirit of Lagos opens at Autograph London, showcasing the legacy of a renowned Lagos studio. Miriam Bettin’s Grow It, Show It! at Museum Folkwang interrogates hair as a symbol of identity and resistance, while Rafael Kouto's Circular Heroes project on upcycling debuts at Photo Vogue Festival 2025 in Milan. Each project reflects deep engagement with Nigerian culture, history, and aesthetics.

G.A.S. Foundation’s 2024-25 residency season launched with a dynamic cohort of multidisciplinary practitioners. ⁠Ana Ogunsanya explored her Nigerian-British heritage through Indigenous textile practices, while Phokeng Setai reimagined scaffolding as a site for public art in Lagos. ⁠Meanwhile, Alexandra Martens Serrano engaged with the intersection of quantum technologies and natural ecologies. Misheck Masamvu spent time at the G.A.S. Farm House developing new works that were informed by the Nigerian cultural landscape. ⁠The season continues with ART X Prize winner Shabu Mwangi, who is deepening his exploration of identity and power dynamics ahead of his presentation at the 9th edition of the fair.⁠
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