We are pleased to welcome Ng’onga Silupya, a Lusaka-based curator, cultural practitioner, arts administrator, and art writer, to G.A.S. Lagos for an immersive one-week research residency.  Working across performance, dance, literature, digital culture, ecology, and curatorial research, Ng’onga investigates how contemporary art and cultural heritage can help shape more habitable and equitable societies. Her practice draws on mediation, cultural and visual studies, and art history, engaging narratives and indigenous sustainable practices connected to diverse ethnic groups in Zambia and beyond.

On September 3rd, 2025, G.A.S. Lagos hosted Picturing Return: Afro-Brazilian Archives in Nigeria, an evening that traced the histories, images, and narratives of the Aguda community and their enduring presence in Nigeria. Bringing together Pelumi Odubanjo whose practice examines the historical and contemporary links between Brazil and the West African diaspora, and scholar, curator, and researcher Oludamola Adebowale, the event explored the living archive of Afro-Brazilian presence in Nigeria

The AAL Lab Convenings, titled Contemporary Art and Archive Practices in Context, are a series of public events that bring together the African Arts Libraries Lab (AAL Lab), its Affiliates Network, and wider audiences to engage in research-sharing and dialogue on contemporary art and archival practice. Informed by the conceptual threads of Re:assemblages 2025–26—Ecotones, The Short Century, Annotations, and The Living Archive—each convening features reflections from invited speakers and the AAL Lab’s inaugural cohort alongside contributions from the broader public.