Avery Youngblood To Explore Technology and Identity Through Post-Colonial Narratives in Lagos During Residency

Avery Youngblood To Explore Technology and Identity Through Post-Colonial Narratives in Lagos During Residency

G.A.S. Foundation is thrilled to welcome Avery Youngblood, our first resident supported by the Yale School of Art. A multidisciplinary artist and designer based in New York City, Avery’s practice spans video art, moving image, design, and film. Her rich, introspective work explores themes of identity, language, race, and technology, through a lens that challenges traditional narratives and hierarchies.

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Event Recap: École du Festival Study Day

Event Recap: École du Festival Study Day

On November 6th G.A.S. Foundation hosted École du Festival, a collaborative and experimental Study Day focused on re-examining and reactivating the cultural, political, and artistic legacies of pan-African festivals. Organized in the framework of G.A.S. Foundation‘s Annotations programme, the Study Day serves as a site for critical dialogue between artists and researchers working on pan-African festivals and interested publics. 

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'Kuna Mende Kwenye Mashine' Exhibition Explores Alternative Histories and Rhythms of Creation

'Kuna Mende Kwenye Mashine' Exhibition Explores Alternative Histories and Rhythms of Creation

KUNA MENDE KWENYE MASHINE (There’s a Bug in the Machine) is the third exhibition in the Art Exchange: Moving Image series. Curated by Jesse Gerard Mpango, a founding member of Ajabu Ajabu—a multimedia curatorial collective based in Dar es Salaam—the exhibition invites visitors to reconsider the rhythms of creation and circulation, offering exploration of an alternative history and genealogy of moving image. It seeks to evoke new perspectives on the diverse narratives and histories surrounding the medium, encouraging a speculative engagement with its evolving role and resonance. 

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