Join us at G.A.S. Lagos on December 19th for Primitive Hypertext, a presentation and hands-on workshop in collaborative storytelling and printing, led by current resident, Avery Youngblood. This event will highlight Avery's residency research which has explored how obsolete technologies influence contemporary creative practices and the interplay between memory, archives, and interconnected ways of thinking. 

This December, we are thrilled to host our final resident of the year, Nigerian multidisciplinary artist Mobolaji Ogunrosoye, as she undertakes a two-week research fellowship at G.A.S. Lagos. Known for a distinct visual language that intersects photography and collage, Mobolaji's practice critically delves into themes of selfhood, body image, and the societal forces that shape identity in West African women both on the continent and in the diaspora. A central focus of her current research is investigating how transparent materials can be used as innovative tools in collage-making. By incorporating these materials, Mobolaji seeks to add new layers of meaning, depth, and dimensionality to her work, pushing the boundaries of traditional collage techniques while exploring the interplay between opacity, translucence, and the stories embedded within her compositions.

This autumn, the G.A.S. Foundation hosted residencies in Lagos and Ibadan for artists Shabu Mwangi, Liz Kobusinge, Theophilus Imani, Kosisochukwu Nnebe, Ofem Ubi, Avery Youngblood, and Osei Bonsu. Their practices—spanning painting, sculpture, eco-printing, and visual research—engaged with themes of postcolonial histories, cultural memory, and social change. These residencies culminated in a series of public events that showcased their diverse creative inquiries, with each artist offering a unique perspective through their work.