'Kuna Mende Kwenye Mashine' Exhibition Explores Alternative Histories and Rhythms of Creation

'Kuna Mende Kwenye Mashine' Exhibition Explores Alternative Histories and Rhythms of Creation

KUNA MENDE KWENYE MASHINE (There’s a Bug in the Machine) is the third exhibition in the Art Exchange: Moving Image series. Curated by Jesse Gerard Mpango, a founding member of Ajabu Ajabu—a multimedia curatorial collective based in Dar es Salaam—the exhibition invites visitors to reconsider the rhythms of creation and circulation, offering exploration of an alternative history and genealogy of moving image. It seeks to evoke new perspectives on the diverse narratives and histories surrounding the medium, encouraging a speculative engagement with its evolving role and resonance. 

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Code of Conduct

Code of Conduct

All Associate Residents and Long Stay Guests are required to adhere to the G.A.S. Foundation Code of Conduct for the duration of their stay. They must confirm in writing that they have read the Resident Handbook in full and agree to follow all guidelines outlined by the Guest Artists Space Foundation.

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Key Contacts

Key Contacts

Your first point of contact is the Residency Manager who is based at G.A.S. Lagos from Monday to Friday. They are on hand to support your residency, deal with any queries or difficulties, and help arrange excursions and events. They will organise all your logistics with support from Y.S.F. including travel, visas, accommodation, and stipends and can answer questions that may arise during your stay.

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Alumni Update : Belinda Kazeem-Kaminski Reflects on Her 2023 Residency in a New Solo: Irè T’ónlọ Lọ́wọ́ (Blessings, Ongoing)

Alumni Update : Belinda Kazeem-Kaminski Reflects on Her 2023 Residency in a New Solo: Irè T’ónlọ Lọ́wọ́ (Blessings, Ongoing)

In September 2023, Belinda Kazeem-Kamiński (b. 1980, Vienna) arrived in Lagos to begin her research-focused residency at Yinka Shonibare’s Guest Artist Space (G.A.S.) Foundation after being awarded the inaugural Access ART X Prize in the category Nigeria/Diaspora. This residency marked a significant moment in her artistic practice, as Lagos's vibrant, kinetic energy brought Belinda Kazeem-Kamiński closer to the traditions of Yoruba cosmology and language as well as West African studio photography.

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