On the 27th of March 2025, as part of her ongoing residency at G.A.S., London-based ethnobotanist Jonn Gale facilitated a community-based workshop for students from St. John’s Primary School, Ikiṣẹ. The session introduced the young learners to foundational concepts in botany and herbarium collection, offering a hands-on opportunity to explore the natural world and their environment. The workshop formed part of Jonn’s 12-week residency, during which she has been based primarily at the G.A.S. Farm House in Ikiṣẹ. Her research explores traditional plant knowledge, medicinal practices, and ecological systems, bridging ethnobotanical inquiry with local expertise and broader environmental questions.

In December 2024, the G.A.S. Foundation, in partnership with the Yinka Shonibare Foundation, announced the call for the third edition of the G.A.S. Fellowship Award. This year, the award offered two fully-funded six-week residencies at G.A.S. Lagos for outstanding mid-career professionals based in Africa: one for a mid-career visual fine artist and one for a mid-career curator.

The call received over 130 applications from 18 countries across the continent. The selection panel, who carefully reviewed each submission, was impressed by the wealth of talent, as well as the quality and diversity of artistic practices represented. The 2025 Fellows are Shatha Afify, an Egypt-based interdisciplinary artist, storyteller, poet, and thinker, selected as the Visual Arts Fellow, and Dr Tinashe Mushakavanhu, a Zimbabwe-based curator and writer, selected as the Curatorial Fellow. During their residencies, Afify will focus on supporting emerging local talent, while Dr. Mushakavanhu will develop and present a curatorial exhibition.

The G.A.S. Fellowship Award 2025 is made possible through the generous support of Deutsche Bank.

In December 2024, the G.A.S. Foundation, in partnership with the Yinka Shonibare Foundation, announced the call for the third edition of the G.A.S. Fellowship Award. This year, the award offered two fully-funded six-week residencies at G.A.S. Lagos for outstanding mid-career professionals based in Africa: one for a mid-career visual fine artist and one for a mid-career curator.

The call received over 130 applications from 18 countries across the continent. The selection panel, who carefully reviewed each submission, was impressed by the wealth of talent, as well as the quality and diversity of artistic practices represented. The 2025 Fellows are Shatha Afify, an Egypt-based interdisciplinary artist, storyteller, poet, and thinker, selected as the Visual Arts Fellow, and Dr Tinashe Mushakavanhu, a Zimbabwe-based curator and writer, selected as the Curatorial Fellow. During their residencies, Afify will focus on supporting emerging local talent, while Dr. Mushakavanhu will develop and present a curatorial exhibition.

The G.A.S. Fellowship Award 2025 is made possible through the generous support of Deutsche Bank.

UK-based artist Joy Labinjo will undertake a four-week residency at G.A.S. Foundation in Lagos this April. Known for her dynamic large-scale figurative paintings, Labinjo’s work draws from personal and archival imagery to explore themes of identity, race, history, and community. Blending bold color palettes, intricate patterns, and layered compositions, her paintings reimagine historical and contemporary life, often centering on intimate domestic and social scenes. Her practice reflects an ongoing engagement with storytelling, political narratives, and the complexities of diasporic identity.

This April, G.A.S. is delighted to welcome Aisha Olamide Seriki, a London-based Nigerian multidisciplinary artist whose practice spans fine art photography, sculpture, bronze, and woodwork. During her four-week residency at G.A.S. Lagos, Aisha will deepen her research into Yoruba material culture through extensive fieldwork, archival exploration, and artisanal collaborations. Her work interrogates the camera’s colonial history as a vessel of objectivity. Her practice centers spiritual-material entanglements, emphasising ancestral technologies, Black temporalities, and non-linear memory.